Royalty Free Ambient Chill Music

Uplifting 80s electronica with various synthesizers and driving dance beat. Cool, retro vibe with catchy keyboard hooks.

Good ol cornball instrumental country at it's finest. Authentic twang guitar Pete Anderson style. Quirky, fun. Mid tempo with a slowpoke feel. Good for comedy feelgood happy go lucky whimsical contentment lazy and any quirky funny scenes. Pete Anderson style lead guitar, steady beat and rhythm of rhythm guitars, bass and drums. Delightful ! Real instruments.
view available edits and loops for this track

A classic Drum n Bass / jungle track with a dubby vibe. Tons of horns and reggae influence give this piece a heady, smoky vibe that gets energetic and driving when the beat drops. Excellent for any project needing high energy dru n bass, a classic jungle vibe, or something requring dub / reggae!

Its a little bit Funky and a little bit Country, this is the laidback hoedown afterparty jam. Simple guitar melody, fiddle, banjo, pedal steel and a relaxed Funk drum groove. A great track to add some hot southern sauce to your project.

New country instrumental with an Americana southern touch similar to early Steve Earle. Easy going feel, flowing, steady, a positive reflective contemplative mood. Drop D tuned clean lead guitar with a catchy signature phrase, nice rhythm guitar with modern effects, solid bass and drum groove. Good for documentary film short film theme video television program underscore background. Real instruments, guitar featured.

Epic, powerful, wondrous and magical theme in the Hans Zimmer 'Pirates of the Caribbean' , 'Last Samurai' and 'Harry Potter' adventure style. The theme starts gently and builds to a huge soundscape of brave new worlds, pioneers, warriors and adventure. Flavors and fusion of Oriental and American Western themes.

Super cool and modern smooth track with an electronic feel. Sensual sounds. Driving through a city at midnight.

A fresh modern sounding track with an electronic bass line and arpeggios. A modern world.

'The Girl with the Flaxen Hair' ('La fille aux cheveux de lin') is the eighth prelude from Debussy's 'Preludes, Book I.' The piece begins with a delicate arpeggio motif, from which much of the following music is derived. The piece builds in tension and volume towards a climax in the middle of the piece, before winding down for a tender, relaxing ending. The melancholic, dreamy nature of the piece lends itself very well to romantic and reflective scenes, and it has appeared in several TV and film soundtracks for this purpose. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Prelude No. 15 in D-flat major,', commonly known as the 'Raindrop Prelude' is the longest and most well-known of Chopin's Op. 28 preludes. The famous, delicate opening melody appears three times in the piece, and the middle section features some surprisingly loud and dramatic sections. The dramatic, romantic, delicate and emotional nature of the music lends itself very well to period dramas and romantic soundtracks. It has been used in the soundtrack for numerous films and TV shows, including 'Face/Off' and 'Moonraker.' This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Prelude No. 1 in C major' is the first prelude of J.S. Bach's 'The Well-Tempered Clavier.' This collection of preludes and fugues in all 24 major and minor keys, dated 1722, is generally regarded as one of the most influential works in the history of Western classical music. The music consists almost entirely of rising broken chords, which gives the piece a calming, romantic and majestic quality. This lends itself very well to period drama soundtracks, and any scene where ideas of dignity and beauty need to be complemented by music. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.

'Clair de Lune' is the third (and most famous) movement from Debussy's 'Suite bergamasque.' It begins with a slow, delicate passage that gradually builds towards a loud climax. The middle section famously consists of a dreamy melody, accompanied by soft, rolling arpeggio patterns. Eventually, the opening theme returns with slight variations, leading into a soft, subtle ending. The melancholic, dreamy nature of the piece lends itself very well to romantic and reflective scenes, and it has appeared in numerous soundtracks, including: Twilight, The Darjeeling Limited, Atonement, Ocean's Thirteen, Man On Fire, Ocean's Eleven, Seven Years In Tibet and The Game. This performance uses a perfectly sampled Yamaha C3 Neo grand piano, with subtle hall reverb for ambience.