A romantic and heart felt piece underscoring the bond between two friends or the love between two lovers. The first half has much more motion, and the second half is more sentimental. Nostalgic piano, harp, strings, and clarinet.
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An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hans Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers").

An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hans Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers").

A very thematic cue underscoring contemplative sentiments and a sense of longing, motion, and time ticking by. Light orchestral with piano melody and subtle percussion rhythm.

A very comedic and funny cue underscoring a multitude of hilarious predicaments from a bad date to a bad first impression to bad practical joke. Pizzicato strings, piano, vibraphone, clarinet, and percussion.

A fun and jazzy piece of music great for transitions or introducing a comedic scene or character with night life energy. Jazz guitar, acoustic bass, and drums.

An intense and fun action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a major heist to a victorious getaway. Very much in the vein of John Powell's "Bourne" and "Italian Job" scores and the scores of Hans Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers").

A heavy metal theme great for transitions or introducing a new character or scene with edgy and hard rock energy. A very dark "bad boy" feel.
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An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening).

A creepy suspense cue with a very slow and slithering quality, underscoring anything from a deceitful murder to an evil presence. Orchestral with piano and ambient instruments, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening).

A very romantic and lush theme underscoring love, sentimental passion, and yearning. Slow and mellow strings, flute, and harp in the style of Ennio Morricone.

An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano and hear beat pulse, in the vein of James Newton Howard's horror scores for M. Night Shyamalan films (The Village, Signs, The Happening).