An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a reckless helicopter chase to a battle between man and machine. Very much in the vein of Danny Elfman's action scores and the scores of Hans Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers").

A fun comedy cue with a lot of character underscoring any of the daily idiocies we all face every day. Great for introducing new scenes and locations that need a silly and "not-so-serious" character. Piano, pizzicato strings, dobro, mandolin, and percussion.

An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with creepy piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening).

A very melancholic and contemplative drama cue, lead by an upright bass jazz solo, embellished with sparse piano. This piece identifies with a lonely character who might be reminiscing or soul searching.

A driving and emotional dramatic cue with a thematic interlude underscoring anything from a kidnapping search to an innocent fugitive on the run. Orchestral with rhythmic percussion, piano, strings, and brass.

A beautifully romantic love theme on solo piano.

A suspenseful thriller cue with varying textures underscoring anything from hostage negotiations to a prison break. Orchestral with low piano, percussion, and and ambient fx.

An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hans Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers").

A driving and emotional dramatic cue with a thematic interlude underscoring anything from a kidnapping search to an innocent fugitive on the run. Orchestral with rhythmic percussion, piano, strings, and brass.

An creepy and eerie mystery/horror cue underscoring anything from a deceitful murder to an evil presence. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening).

A fun and mysterious comedy cue underscoring anything from sneaking around to investigating a haunting. Light orchestral with pizzicato strings, piano, flute, clarinet.

A fun and fast chase cue underscoring a more comedic getaway. This cue starts subtle and builds to a climax, then subsides again. Guitars, bongo percussion, piano, strings, and acoustic bass.